

“Possession is only the beginning.”
After years of exile, the Bezari clan returns to their mountainous lands as conflict subsides. But the Hazeran clan, who cultivated the fertile valley in their absence, refuses to leave. While Hazeran leader Sheikh Ferit speaks of peaceful coexistence, his brother Mesut grows increasingly obsessed with holding onto the land. Haunted by nightmares of an invisible man, the past trauma of his pregnant wife Gülsüm, and the rival clan's twin daughters—considered the devil's work in local belief—Mesut becomes convinced his visions are divine messages. As paranoia transforms into xenophobic madness, an ancient blood feud erupts into violent reckoning .
"Imagine a film that competed at the Berlin Film Festival and was described by critics as 'delicate but disturbing': Salvation . Director Emin Alper tells the story of a land dispute between two clans, but focuses on something much deeper: how paranoia transforms into xenophobic obsession, and then into delusions of 'divine messages'. What happens when a person can no longer distinguish nightmares from reality? What if, in trying to protect their community, they actually lead it toward destruction? The moral complexity present in Alper's previous work surfaces here too: no one is entirely good, no one entirely evil . With its sound design and controlled lighting, the film traps viewers inside Mesut's increasingly dark mind . Released on February 12th, this film is more than a clan feud; it's a universal political satire questioning how borders are drawn, how land is owned, and how the line between 'us' and 'them' is constructed in today's world. Watching it is an uncomfortable but necessary confrontation."
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