

“Fear is the new faith.”
Budget
$63M
Revenue
$59M
Dr. Ian Kelson is a scientist consumed by loneliness, building a temple of bones from the skulls of Rage virus victims. At his doorstep arrives Samson, a towering "Alpha" infected, now addicted to the morphine Kelson uses to sedate him. Obsessed with finding a cure, Kelson injects Samson with drug cocktails—and slowly, humanity begins to resurface. Meanwhile, Spike, having returned to the mainland, is trapped within Sir Lord Jimmy Crystal's satanic cult. Jimmy, a Teletubbies-obsessed, delusional leader who claims to be the son of "Old Nick," forces Spike into brutal initiations. With the help of the reluctant Jimmy Ink, Spike struggles to survive. Kelson's impossible friendship with Samson eventually collides with Jimmy's madness, forcing the doctor to perform as Satan himself to the thundering chords of Iron Maiden—while Spike fights to escape this inferno
I don't think I've seen Ralph Fiennes have this much fun since Harry Potter. Sitting on a throne of skulls, performing Satan himself to Iron Maiden's 'The Number of the Beast'—and somehow making you laugh and choke up simultaneously. He's so fragile, so unhinged, so profoundly human in that dance sequence that I found myself applauding in an empty room. Jack O'Connell's Sir Lord Jimmy Crystal is the most unsettling villain of the year. A twisted, apocalyptic refraction of a real-life child abuser. You feel both revulsion and pity—because he's also just a boy who lost his toys. But the performance that truly broke me was Chi Lewis-Parry's Samson. That hulking, barely-verbal creature, uttering the word 'moon'... No zombie film has ever taught me to grieve for a monster like this. Yes, the film is chaotic. Yes, its tone whiplashes from cartoonish to brutally grim. But maybe that's what the apocalypse actually feels like: never knowing when to laugh, when to weep.
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