

“Some things can't be erased.”
Budget
$0M
Revenue
$0M
Vince (Ethan Hawke), a volunteer firefighter and small-time drug dealer from Oakland, returns to his hometown of Lansing, Michigan to support his old high school friend Jon (Robert Sean Leonard), whose film is screening at the Lansing Film Festival. The two meet up in Vince's cheap motel room and start reminiscing about the past. Soon, an undercurrent of tension surfaces. The conversation eventually turns to Vince's former girlfriend, Amy (Uma Thurman). Vince, who never slept with Amy, still carries a torch for her, while Jon did. Vince pressures Jon into confessing that he raped Amy. Triumphant, Vince reveals he has secretly taped the entire conversation and tells Jon that Amy is on her way to the motel. When Amy, now an assistant district attorney, arrives, the dynamics in the room are completely upended as she claims the encounter was consensual .
One motel room, three actors, 86 minutes, and a never-ending confrontation... This independent film, shot on digital video by Richard Linklater, grabs you by the scruff of the neck, traps you in that room, and never lets you go . Does a single 'truth' about a past event even exist? Or does everyone cling to the version of 'truth' that benefits them? In this psychological drama adapted from Stephen Belber's play, Ethan Hawke, Robert Sean Leonard, and Uma Thurman clash like swords, forcing the viewer to constantly shift allegiances with dialogue brimming with accusation, denial, confession, and manipulation . As Roger Ebert said, this film is about 'freedom from idiocy, first of all, since the characters are all smart and articulate, and testing each other's nerve and values' . With its high-tension dialogue and realistic atmosphere, it makes you feel like a part of the tape Vince is secretly recording. If you believe in the pure, raw power of cinema stripped of visual effects, 'Tape' is for you.
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